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Visitors don’t have to be guests to stroll the man-made lake, dine at a variety of on-site restaurants or cheers at the property’s authentic English pub, The Golden Bee.
Make a weekend of it with a stay in one of the area’s charming B&Bs. But that isn’t this movie, which is as comforting, low-key and unfussy as your grandmother’s tablecloth, the one she used every day and not just for company. That he is played by the truly talented Iain Armitage, who was a standout in the miniseries “Big Little Lies” as the suspected school bully and is the star of “The Big Bang Theory” sitcom spin-off “Young Sheldon,” makes the scenes he shares with Redford among the most enjoyable. Sometime later, Addie is hospitalised after a fall. Robert Redford and Jane Fonda's comfy screen chemistry gives a light lift to this soft-edged, Netflix-bound autumn-years romance.
“Our Souls at Night” sounds as if it should be a noir-ish plunge into existential darkness of ravaged psyches while bloodhounds balefully howl at the moon. , The film had its world premiere at the Venice Film Festival on September 1, 2017. Set in the fictional town of Holt, Colorado, Netflix’s newest original film “Our Souls at Night” is an adaptation of Colorado native Kent Haruf’s novel.
, Principal photography on the film began on September 12, 2016 in Colorado Springs, Colorado, and it also was shot in Florence, Colorado. And, yet, they do. I shook Jane Fonda’s hand. (719) 635-7506 or (800) 888-4748 But that isn’t this movie, which is as comforting, low-key and unfussy as your grandmother’s tablecloth, the one she used every day and not just for company. Could you tell your friends, family, etc.? Our Souls at Night, Premiering Tonight, Filmed at Colorado College Prof's Home Ana Campbell | September 29, 2017 | 8:34am Our Souls at Night premieres on …
David Hendrickson has taught in the political science department at Colorado College since 1983. Support Us There is an undercurrent of humor along the way, but dignity is maintained. The film used several locations and businesses throughout the Pikes Peak region.
I said, “We did!” Jane was really sweet to the neighborhood people around the set, taking the time to engage with them. The rest it owes to the residual low-key chemistry of stars Robert Redford and Jane Fonda in their fourth screen collaboration; nearly 40 years after “The Electric Horseman,” they resume their partnership as comfortably and as unfussily as slipping into a broken-in pair of high-waisted jeans. We were frankly a bit embarrassed by the condition of the house, as it needed a paint job (which we got around to doing this summer). Just like widow Addie and widower Louis, neighbors in a cozy Colorado town whose paths have crossed now and then over the years, the two stars possess a certain ease and unspoken rapport when in each other’s presence, even if Redford’s character initially is somewhat taken aback by the idea of senior citizen sleepovers. CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3. Gene attempts to persuade Addie to move in with him, which Addie initially refuses. It’s the most amusingly blunt needle-scratch moment in an otherwise mostly coy film, though Addie means “sleep” more literally than most would in that context: After years of solitary living, it’s the mere closeness of another human being that she misses more than actual sex.
He and Fonda boast a combined 114 years of acting experience, and appeared together in two lesser films in the ‘60s, "Tall Story" and “The Chase,” as well as “The Electric Horseman” in 1979. Rather than film the movie on the plains, where Haruf's novel is set — in the fictional town of Holt, Colorado — the crew was based in Florence, with forays into Colorado Springs and Denver. (Haruf’s novel, after all, was all the more touching for being published a year after the American author’s passing.) Jane Fonda stayed here during filming of the movie. When he strolls into the local coffee shop after entering through the front door for the first time, he is taunted by the local gossip (Bruce Dern, Fonda’s husband in “Coming Home”).
Nevertheless, Batra’s evident affinity for the finer emotional fractures in ordinary lives remains a rare, sweet gift in a filmmaker, even if English-language cinema has yet to hand him a vehicle that conveys it as vibrantly as 2013’s delightful Indian epistolary romance “The Lunchbox.” He knows as well as anyone that Redford and Fonda are the chief reason “Our Souls at Night” has to be, so gives them as much quiet room to breathe as possible. (Netflix has, after all, already served Fonda rather well with the sitcom “Grace and Frankie.”) There is a certain irony, however, in the web distributing a film in which the characters themselves take a decidedly circumspect attitude to new technology — at least, until smartphones bring the old dogs closer to the possibilities of the late-night “u up?” text. One night, Addie visits Louis to suggest that they spend the night together, non-sexually, to counter their loneliness. Fonda and Redford star as Addie Moore and Louis Waters, a widow and widower who've lived next to each other for years.
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